selected works

• telemusic (2003- ) Audio/Video work for algorithmically processed live internet feed. Work-in-progress presentation at Harvestworks, New York City, November 2003. Supported by Harvestworks Studio Program.
• insomnia (2003) 10-channel tape piece with live piano accompaniment by Michael Schumacher. Presented at Diapason gallery, New York City, November 2003. Developed at Fundacion Valparaiso, Spain.
• morontia life (2003) Remix of several Stockhausen compositions, scheduled for released on XX Century Composers Remixed series.
• C\:> WORD.EXE (2002) Short work for amplified software code. Premiered at KEF festival, Belgrade.
• the singing building (2002) Audio installation using processed ambient sounds. Installed in the Eldridge Street Synagogue, New York City. Open until February 2003.
• 999x10⁹⁵ (2001) A video opera for two vocalists and electronics, based on the work of Adolf Wölfli. Comissioned by the Wien Modern festival, and premiered there, November 2001. Music and text: MO Video: Benton-C Bainbridge.
• draden (1999-). Installation/performance for amplified fluorescent lights and live sampling. Co-comissioned by Korzo Theater and Stroom (Den Haag association for visual arts). Performed at Korzo Theater, Den Haag, thet Audio Art Festival, Krakow, Colgate University, and The Kitchen. Made possible by a fellowship from the Media Alliance.
• zwart/wit (1999) Suite of 4 pieces for live electronics, using samples exclusively derived from old films. Commissioned by The Secret Museum, Den Haag, Holland. Premiered March 1999.
• lever@fly (1998-99) (and many others) Interactive composition for Choreographer Elizabeth Streb, supported by the Meet the Composer. Composer-in-Residence, Streb/Ringside dance company. Exclusive designer/performer of her interactive compositions and audio environments from 1993 to 2000. Extensive touring worldwide.
• what things are (1997), 4 short pieces for solo electronics, realized at SUSS Studios, Sheffield.
• guilty (1997), one-act opera for electronics, 4 voices, strings, piano, and bassoon, based on the film Double Indemnity. Premiered at Korzo Theater, Den Haag.
• vertebra (1996-98), Evening-length piece for solo live electronics. Premiered at Het Apollohuis, Eindhoven. Additional performances in The Netherlands and Germany.
• vox dei (1995), Opera in one act for 4 voices, live electronics, and video. Commissioned by the Humanistische Verbond for the festival ñChaos en Verbeeldingî, Haarlem, The Netherlands. Additional performances at Zeebeld Theater, Den Haag, and Paradiso, Amsterdam.
• gravity (1994), music/ theater work for 2 voices & live electronics, premiered at the Kees van Barrenzaal in Den Haag, Netherlands. Additional performances at Zeebeld Theater, Den Haag, and OCCII, Amsterdam.
• the blinding (1990-93), one-act opera for 3 voices, analog electronics, sampler, and live video. Premiered at Group Motion Theatre, Philadelphia, 1990. Revised version performed at Roulette, New York City, 1993.
• new york 1992-93, collaborative installation with photographer Beat Streuli. Exhibited at PS1, New York City, and Kunstmuseum Luzern, Switzerland.
• by what subtle form of inculcation... (1992), an installation for scanning radios, antique radios, and computer interface; with engineer/programmer James Lo. Exhibited at Germans Van Eck Gallery, New York City.